Good Web Design = More Conversions

27 05 2011

What is the value of good custom website design? Sure, its key to frame the brand and present a compelling message/offer, but in my mind, good design blends that into a clear path to conversion.

For different businesses and sectors, the “conversion” varies and for most, there are multiple conversions to be tracked – a sale, lead generation, engagement, recruiting form, whitepaper download, etc. It takes thoughtful design to entice visitors and draw them into the path to conversion.

We recently worked collaboratively with Coldwell Banker Hickok & Boardman Realty to redesign their site. Long before we got started, they had done their homework and had been tracking a range of conversion goals in Google Analytics for years. Their numbers were fairly flat though, and while investing more into online marketing did succeed in increasing conversions, they knew that investing back into the website to increase conversion rates there would provide their best return on investment.

The design itself frames those priorities, and places the brand in the context of the regional geography. In this process, together we carefully studied both the traffic patterns of the current site to recognize the information users wanted, and aligned that with the information that the client wanted to present. I’ve agreed not to delve into the details of each conversion point, but you can see quite clearly from the homepage, what our priorities were.

The numbers dramatically show the success of this redesign. Over the same period the year before, we instantly saw a significant jump up about 15% to an envious conversion rate of 51%.

What also ensured a win for this project was the collaborative spirit we shared in this project. Their team was heavily engaged and well tuned into their site’s metrics and the goals of each segment of their target audience. As much as I think design skill is important, I also believe that the cultural fit with two organizations is key to a successful partnership such as this. I think the success of this project reflects that.

Go to HickockandBoardman.com





A Big Slab of Type

18 02 2009

Feb 18 | Bill Jostrand

Are you like me? Are you a maniac when it comes to type? If so, you have probably noticed that slab serif typefaces are back in vogue. Even Martha Stewart has used a slab (Archer) and she is my idol…uh…I mean…she has nice penmanship.

Anyway, slab serif typefaces are nothing new, they were developed sometime in the 1800′s. These big beefy typefaces were used to grab attention in ad headlines (I imagine they were used to sell penny farthings).

Serifs are small details that flow off the stroke of many letters. Slab serifs are big and blocky and usually meet the letter at a ninety degree angle. Many consider Slab serifs to be a subset of Sans Serifs (picture a capital “A” set in Helvetica with a rectangle plonked on top of it).

I love the personality of slab serifs. I find they are well suited for titling, headlines, callouts and I will occasionally use them for navigation. Because of the chunky decoration, I wouldn’t really recommend using a typeface like rockwell for body copy.

Here are a few slab serif typefaces and examples of how they are being used today:

glaser

 

martha1

tonyblairtype

While it’s tough to tell these guys apart from a few letters, they each have their individual “personalities”. I mean, look at the ball decoration on the “C” in “cookbook” in the Martha example.

Check all the typefaces here:

Archer
American Typewriter
Serifa
Memphis
Rockwell








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